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American horror fiction and class : from Poe to Twilight
- 作者: Simmons, David, author.
- 其他作者:
- 其他題名:
- Palgrave gothic.
- 出版: London : Palgrave Macmillan UK :Imprint: Palgrave Macmillan
- 叢書名: Palgrave gothic
- 主題: Horror tales, American--History and criticism. , Social classes in literature. , Cultural and Media Studies. , American Culture. , Cultural Theory. , Fiction. , Popular Culture. , Genre.
- ISBN: 9781137532800 (electronic bk.) 、 9781137532794 (paper)
- FIND@SFXID: CGU
- 資料類型: 電子書
- 內容註: 1. Introduction: Establishing the Place of Class in US Gothic and Horror Fiction -- 2. Class and Horror Fiction during the Early Twentieth Century -- 3. Class and Horror Fiction at Mid-Century -- 4. Representing Class during the Horror Boom of the 1970s and 1980s -- 5. Horror Fiction and Class in the Contemporary1. Introduction: Establishing the Place of Class in US Gothic and Horror Fiction -- 2. Class and Horror Fiction during the Early Twentieth Century -- 3. Class and Horror Fiction at Mid-Century -- 4. Representing Class during the Horror Boom of the 1970s and 1980s -- 5. Horror Fiction and Class in the Contemporary Period. Period.
- 摘要註: In this book, Simmons argues that class, as much as race and gender, played a significant role in the development of Gothic and Horror fiction in a national context. From the classic texts of Edgar Allen Poe and Nathaniel Hawthorne right through to contemporary examples, such as the novels of Stephen King and Stephenie Meyer's Twilight Series, class remains an ever present though understudied element. This study will appeal to scholars of American Studies, English literature, Media and Cultural Studies interested in class representations in the horror genre from the nineteenth century to the present day.
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讀者標籤:
- 系統號: 005408651 | 機讀編目格式
館藏資訊
In this book, Simmons argues that class, as much as race and gender, played a significant role in the development of Gothic and Horror fiction in a national context. From the classic texts of Edgar Allen Poe and Nathaniel Hawthorne right through to contemporary examples, such as the novels of Stephen King and Stephenie Meyer’s Twilight Series, class remains an ever present though understudied element. This study will appeal to scholars of American Studies, English literature, Media and Cultural Studies interested in class representations in the horror genre from the nineteenth century to the present day.
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