Alan Moore, out from the underground : cartooning, performance, and dissent
- 作者： Gray, Maggie, author.
- 其他作者：
- 其他題名：
- Palgrave studies in comics and graphic novels.
- 出版： Cham : Springer International Publishing :Imprint: Palgrave Macmillan
- 叢書名： Palgrave studies in comics and graphic novels
- 主題： Moore, Alan, 1953---Criticism and interpretation. , Cultural and Media Studies. , Media Studies. , British Culture. , Audio-Visual Culture. , Arts. , Genre.
- ISBN： 9783319665085 (electronic bk.) 、 9783319665078 (paper)
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FIND@SFXID:
CGU
- 資料類型: 電子書
- 摘要註: This book explores Alan Moore's career as a cartoonist, as shaped by his transdisciplinary practice as a poet, illustrator, musician and playwright as well as his involvement in the Northampton Arts Lab and the hippie counterculture in which it took place. It traces Moore's trajectory out from the underground comix scene of the 1970s and into a commercial music press rocked by the arrival of punk. In doing so it uncovers how performance has shaped Moore's approach to comics and their political potential. Drawing on the work of Bertolt Brecht, who similarly fused political dissent with experimental popular art, this book considers what looking strangely at Alan Moore as cartoonist tells us about comics, their visual and material form, and the performance and politics of their reading and making.
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讀者標籤：
- 系統號： 005412200 | 機讀編目格式
館藏資訊
This book explores Alan Moore’s career as a cartoonist, as shaped by his transdisciplinary practice as a poet, illustrator, musician and playwright as well as his involvement in the Northampton Arts Lab and the hippie counterculture in which it took place. It traces Moore’s trajectory out from the underground comix scene of the 1970s and into a commercial music press rocked by the arrival of punk. In doing so it uncovers how performance has shaped Moore’s approach to comics and their political potential. Drawing on the work of Bertolt Brecht, who similarly fused political dissent with experimental popular art, this book considers what looking strangely at Alan Moore as cartoonist tells us about comics, their visual and material form, and the performance and politics of their reading and making.