Alienation effects : performance and self-management in Yugoslavia, 1945-91 / [electronic resource]
- 作者： Jakovljevic, Branislav, author.
- 出版： Ann Arbor : University of Michigan Press
- 叢書名： Theater: Theory/Text/Performance
- 主題： Socialism and the arts--Yugoslavia--History--20th century. , Performance art--Political aspects--Yugoslavia--History--20th century. , Performance art--Social aspects--Yugoslavia--History--20th century. , PERFORMING ARTS / Reference , PERFORMING ARTS / Theater / General , Electronic books. , Electronic books.
- ISBN： 9780472121984 (electronic bk.) 、 0472121987 (electronic bk.) 、 9780472900589 (electronic bk.) 、 0472900587 (electronic bk.)
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FIND@SFXID:
CGU
- 資料類型: 電子書
- 內容註: Includes bibliographical references and index. Bodywriting: Performance State -- Syntactical Performances: Beyond the Performance Principle -- Disalienation Defects: A Federation of Interests -- Afterword.
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讀者標籤：
- 系統號： 005378132 | 機讀編目格式
館藏資訊
In the 1970s, Yugoslavia emerged as a dynamic environment for conceptual and performance art. At the same time, it pursued its own form of political economy of socialist self-management. Alienation Effects argues that a deep relationship existed between the democratization of the arts and industrial democracy, resulting in a culture difficult to classify. The book challenges the assumption that the art emerging in Eastern Europe before 1989 was either “official” or “dissident” art; and shows that the break up of Yugoslavia was not a result of “ancient hatreds” among its peoples but instead came from the distortion and defeat of the idea of self-management. The case studies include mass performances organized during state holidays; proto-performance art, such as the 1954 production of Waiting for Godot in a former concentration camp in Belgrade; student demonstrations in 1968; and body art pieces by Gina Pane, Joseph Beuys, Marina Abramovic, and others. Alienation Effects sheds new light on the work of well-known artists and scholars, including early experimental poetry by Slavoj Žižek, as well as performance and conceptual artists that deserve wider, international attention.