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The cinema of James Cameron bodies in heroic motion / [electronic resource] :

  • 作者: Clarke, James, 1972-
  • 其他題名:
    • Directors' cuts.
  • 出版: New York : Wallflower Press
  • 叢書名: Directors' cuts
  • 主題: Cameron, James, 1954---Criticism and interpretation. , Motion picture producers and directors--Canada.
  • ISBN: 9780231850629 (electronic bk.)
  • FIND@SFXID: CGU
  • 資料類型: 電子書
  • 內容註: Includes bibliographical references (p. 163-172) and index. Introduction -- Genesis: From short film visions to low-budget monster movie -- The Terminator (1984) -- Aliens (1986) -- The Abyss (1989) -- Terminator 2: Judgement Day (1991) -- True Lies (1994) -- Titanic (1997) -- Avatar (2009) -- Cameron's Documentaries -- Cameron as writer and producer.
  • 摘要註: This timely volume explores the massively popular cinema of writer-director James Cameron. It couches Cameron's films within the evolving generic traditions of science fiction, melodrama, and the cinema of spectacle. The book also considers Cameron's engagement with the aesthetic of visual effects and the 'now' technology of performance-capture which is arguably moving a certain kind of event-movie cinema from photography to something more akin to painting. This book is explicit in presenting Cameron as an authentic auteur, and each chapter is dedicated to a single film in his body of work, from The Terminator to Avatar. Space is also given to discussion of Strange Days as well as his short films and documentary works. -- Provided by publisher.
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  • 系統號: 005365572 | 機讀編目格式
  • 館藏資訊

    This timely volume explores the massively popular cinema of writer-director James Cameron. It couches Cameron's films within the evolving generic traditions of science fiction, melodrama, and the cinema of spectacle. The book also considers Cameron's engagement with the aesthetic of visual effects and the 'now' technology of performance-capture which is arguably moving a certain kind of event-movie cinema from photography to something more akin to painting. This book is explicit in presenting Cameron as an authentic auteur, and each chapter is dedicated to a single film in his body of work, from The Terminator to Avatar. Space is also given to discussion of Strange Days as well as his short films and documentary works.

    資料來源: Google Book
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