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Cyborg theatre corporeal/technological intersections in multimedia performance / [electronic resource] :
- 作者： Parker-Starbuck, Jennifer, 1962-
- 其他題名：
- Performance interventions
- 出版： Houndmills, Basingstoke, Hampshire ;New York : Palgrave Macmillan
- 叢書名： Performance interventions
- 主題： Experimental theater. , Cyborgs , Performing Arts. , Virtual reality , Technology and the arts. , PERFORMING ARTS--Theater--General. , PERFORMING ARTS--Theater--General. , Cyborg theater , Electronic books.
- ISBN： 9780230306523 (electronic bk.) 、 0230306527 (electronic bk.)
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FIND@SFXID:
CGU
- 資料類型: 電子書
- 內容註: Includes bibliographical references (p. 212-231) and index. Introduction : why cyborg theatre? -- Backspace : historical/theoretical intersections -- Shifting the balance : "abject" bodies -- "Object of control" : framing the fragments -- Entering the view : triangulating "subject" bodies -- Conclusion : remembering bodies, becoming-cyborg.
- 摘要註: Cyborg Theatre investigates the role of bodies within the expanding field of multimedia performance. This innovative study articulates the first theoretical context for a 'cyborg theatre' that metaphorically integrates on-stage bodies with the technologized, digitized, or mediatized, to radically reimagine subjectivity in our posthuman age. Parker-Starbuck covers a variety of provocative examples, both historical and contemporary, to propose new theoretical tools for understanding performance in our changing world. She offers a compelling feminist-inspired argument for the ways in which a range of bodies appearing onstage with new technologies serve to challenge notions of identity and destabilize historical binaries. Through a variety of critical lenses, she considers the ways in which bodies are already integrated with technology and the questions this raises in and through performance. The focus on the body is a necessary theorizing of this emergent field, which is often understood solely through the technology on stage.
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讀者標籤：
- 系統號： 005099068 | 機讀編目格式
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