Knowing Shakespeare senses, embodiment and cognition / [electronic resource] :

• 其他作者：
  • Gallagher, Lowell, 1953-
  • Raman, Shankar.
  • Palgrave Connect (Online service)
• 其他題名：
  • Palgrave Shakespeare studies
• 出版： Basingstoke, Hampshire ;New York : Palgrave Macmillan
• 叢書名： Palgrave Shakespeare studies
• 主題： Shakespeare, William, 1564-1616--Criticism and interpretation. , Senses and sensation in literature , 1564-1616. , Criticism and interpretation. , Shakespeare, William. , LITERARY CRITICISM--Shakespeare. , DRAMA--Shakespeare. , Electronic books.
• ISBN： 9780230299092 (electronic bk.) 、 0230299091 (electronic bk.)
• FIND@SFXID: CGU
• 資料類型: 電子書
• 內容註: Includes bibliographical references and index. Macbeth and the perils of conjecture / Sean H. McDowell -- Eying and wording in Cymbeline / Bruce R. Smith -- 'O, she's warm': touch in The winter's tale / Evelyn Tribble -- Falling into extremity / Patricia Cahill -- Roman world, Egyptian earth: cognitive difference in Shakespeare's Antony and Cleopatra / Mary Thomas Crane -- Hamlet in motion / Shankar Raman -- Artifactual knowledge in Hamlet / Howard Marchitello -- 'Rich eyes and poor hands': theaters of early modern experience / Adam Rzepka -- 'Repeat to me the words of the echo': listening to The tempest / Allison Kay Deutermann -- Mind the gaps: the ear, the eye, and the senses of a woman in Much ado about nothing / Diana E. Henderson.
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• 摘要註: Knowing Shakespeare describes the rich variance of embodied and sensory perception in early modern culture. The volume's cross-disciplinary emphasis enhances understanding of the 'sense' of sensing in Shakespeare's idiom by bringing schemes from early modern natural philosophy and rhetorical arts into critical conversation with concepts drawn from historical phenomenology, cognitive science and trauma theory. Collectively the essays, many of which are written by leading Shakespeare scholars, detail the range of issues; social, political, ethical, and aesthetic--to be found in the theatrical performance of diverse and sometimes competing languages and gestures of embodied, sensory perception on Shakespeare's stage. An important investment of many of the essays is to demonstrate how neglected legacies of philosophical scepticism and materialist developments in phenomenological thought shed light on the performative range of gender as embodied and voiced in Shakespeare's dramaturgy. The scope of the volume thus presents a timely survey of recent and innovative thinking about the critical role of the senses in Shakespeare.
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