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Modernism and poetic inspiration the shadow mouth / [electronic resource] :
- 作者: Rasula, Jed.
- 其他作者:
- 其他題名:
- Modern and contemporary poetry and poetics
- 出版: New York, NY : Palgrave Macmillan
- 版本:1st ed.
- 叢書名: Modern and contemporary poetry and poetics
- 主題: Poetics , Creation (Literary, artistic, etc.) , Poetry, Modern--History and criticism , Modernism (Literature) , Electronic books.
- ISBN: 9780230622197 、 0230622194
- FIND@SFXID: CGU
- 資料類型: 電子書
- 內容註: Includes bibliographical references (p. [219]-239) and index. Introduction: The Shadow Mouth -- The Murmur: Modernist Alchemies ofthe Word -- Drawing a Blank: Episodes in the Poetics of Unworking -- Poetry's Voice-Over: Techniques of Inspiration -- Gendering the Muse Medusa's Gaze: Deep Image, or Traveling in the Dark -- "When the mind is like a hall": Places of a Possible Poetics.
- 摘要註: A major provocation to modern poetics is the inspirational bounty ofdestruction (effacement, negation, undoing) bequeathed by Mallarmâe. Modernist poets and artists explored this initiative through strategic explorations in the materiality of the medium, as well as dislocations of sensibility. Informing these maneuvers is the most ancient legacy of the muses, the supposition of a guiding voice, a shadow mouth. This legacy nourishes a fantasy of inspiration as privileged access to the murmur of pre-signifying meaning, a speech without words, a picture withoutimages, or images that are sodeep as to defy scrutiny. The sites of inspiration documented in Modernism and Poetic Inspiration range from nineteenth century linguistic theory to postmodern strategies of conceptual writing, encompassing well known instances of modernist poetics (Mallarmâe, Pound, Olson) alongside obscure but revealing figures like OttoNebel and Henri-Martin Barzun.
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讀者標籤:
- 系統號: 005053515 | 機讀編目格式
館藏資訊
The sites of inspiration documented in this book range from nineteenth century linguistic theory to postmodern strategies of conceptual writing, encompassing well known instances of modernist poetics (Mallarmé, Pound, Olson) alongside obscure but revealing figures like Otto Nebel and Henri-Martin Barzun.
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