The philosophy of Steven Soderbergh [electronic resource]
- 其他作者：
- 出版： Lexington : The University Press of Kentucky
- 叢書名： Philosophy of popular culture.
- 主題： Soderbergh, Steven, 1963---Criticism and interpretation.
- ISBN： 9780813126630 (electronic bk.) 、 9780813126623 (hbk.)
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FIND@SFXID:
CGU
- 資料類型: 電子書
- 內容註: Includes bibliographical references and index. Introduction / R. Barton Palmer and Steven M. Sanders -- Knowledge, truth, sexuality. Knowledge, truth, and thought experiments in Schizopolis and Sex, lies, and videotape / David Rodroguez-Ruiz -- Love, truth,and the medium in Sex, lies, and videotape / Yannis Tzioumakis -- Amplified discourse and desire in Sex, lies, and videotape / Murray Pomerance -- Temporality, intertextuality, genre.Alain Resnais meets film noir in The underneath and The limey / R. Barton Palmer -- Consciousness, temporality, and the crime-revenge genre in The limey / Geoff King -- -Intertextuality, broken mirrors, and The good German / Andrew deWaard -- Remade by Steven Soderbergh / Aaron Baker -- Self-reflexivity, self-centeredness, Autobiography. Philosophical reflections on Steven Soderbergh's Kafka / Ivo Ritzer -- Responsibility and self-centered narrationin Erin Brockovich / Andrew Patrick Nelson -- Schizopolis as philosophical autobiography / Drew Morton -- Politics, morals, methodology. Mr. Soderbergh goes to Washington / Steven M. Sanders -- Schizoanalyzing The informant / David Sterritt -- Competing modes of capital in Ocean's eleven / R. Colin Tait -- An ethical analysis of Traffic / Shai Bidermanand William J. Devlin -- Simulacra, space, Solaris. The philosophy of space and memory in Solaris / Douglas McFarland -- Solaris, cinema, andSimulacra / Michael Valdez Moses.
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讀者標籤：
- 系統號： 005102060 | 機讀編目格式
館藏資訊
Widely regarded as a turning point in American independent cinema, Steven Soderbergh's sex, lies, and videotape (1989) launched the career of its twenty-six-year-old director, whose debut film was nominated for an Academy Award and went on to win the Cannes Film Festival's top award, the Palme d'Or. The Philosophy of Steven Soderbergh breaks new ground by investigating salient philosophical themes through the unique story lines and innovative approaches to filmmaking that distinguish this celebrated artist. Editors R. Barton Palmer and Steven M. Sanders have brought together leading scholars in philosophy and film studies for the first systematic analysis of Soderbergh's entire body of work, offering the first in-depth exploration of the philosophical ideas that form the basis of the work of one of the most commercially successful and consistently inventive filmmakers of our time.