資料來源:
三民書局
Formalism, experience, and the making of American literature in the nineteenth century [electronic resource]
- 作者： Davis, Theo.
- 出版： Cambridge ;New York : Cambridge University Press
- 叢書名： Cambridge studies in American literature and culture
- 主題： Hawthorne, Nathaniel, 1804-1864--Criticism and interpretation. , Emerson, Ralph Waldo, 1803-1882--Criticism and interpretation. , Stowe, Harriet Beecher, 1811-1896--Criticism and interpretation. , American literature--19th century--History and criticism. , Literary form--History--19th century. , Experience in literature. , Literature and society--United States--History--19th century. , United States--Intellectual life--19th century. , Electronic books.
- ISBN： 9780521872966 (hbk. : alk. paper) 、 0521872960 (hbk. : alk. paper) 、 9780511551000
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FIND@SFXID:
CGU
- 資料類型: 電子書
- 內容註: Includes bibliographical references and index. Introduction: new critical formalism and identity in Americanist criticism -- Types of interest: Scottish theory, literary nationalism, and John Neal -- Sensing Hawthorne: the figure of Hawthorne's affect -- Life is an ecstasy: Ralph Waldo Emerson and A. Bronson Alcott -- Laws of experience: truth and feeling in Harriet Beecher Stowe.
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讀者標籤：
- 系統號： 005049571 | 機讀編目格式
館藏資訊
Theo Davis offers a fresh account of the emergence of a national literature in the United States. Taking American literature's universalism as an organising force that must be explained rather than simply exposed, she contends that Emerson, Hawthorne, and Stowe's often noted investigations of experience are actually based in a belief that experience is an abstract category governed by typicality, not the property of the individual subject. Additionally, these authors locate the form of the literary work in the domain of abstract experience, projected out of - not embodied in - the text. After tracing the emergence of these beliefs out of Scottish common sense philosophy and through early American literary criticism, Davis analyses how American authors' prose seeks to work an art of abstract experience. In so doing, she reconsiders the place of form in modern literary studies.