The Education of the Filmmaker in Europe, Australia, and Asia [electronic resource].

• 作者： Hjort, Mette.
• 其他題名：
  • Global cinema
• 出版： New York : Palgrave Macmillan
• 叢書名： Global cinema
• 主題： Motion pictures -- Production and direction -- Study and teaching -- Asia. , Motion pictures -- Production and direction -- Study and teaching -- Australia. , Motion pictures -- Production and direction -- Study and teaching -- Europe. , Motion pictures--Production and direction--Study and teaching--Europe. , Motion pictures--Production and direction--Study and teaching--Australia. , Motion pictures--Production and direction--Study and teaching--Asia. , PERFORMING ARTS / Reference , Electronic books.
• ISBN： 9781137070388 (electronic bk.) 、 1137070382 (electronic bk.)
• FIND@SFXID: CGU
• 資料類型: 電子書
• 內容註: Cover; Contents; List of Figures; Acknowledgments; Introduction: More Than Film School-Why the Full Spectrum of Practice-Based Film EducationWarrants Attention; Part I: Europe; 1 Practice-Based Film Education in Lithuania: Main Actors and Sites of Struggle; 2 Mapping Film Education and Training on the Island of Malta; 3 The Struggle for a Scottish National Film School; 4 "WeTrainAuteurs": Education, Decentralization, Regional Funding, and Niche Marketing in the New Swedish Cinema; 5 DividedDirigisme: Nationalism, Regionalism, and Reform in the German Film Academies 6 Sites of Initiation: Film Training Programs at Film FestivalsPart II: Australia and Asia; 7 Beyond the Modular Film School: Australian Film and Television Schools and their Digital Transitions; 8 Dynamics of the Cultures of Discontent: How Is Globalization Transforming the Training of Filmmakers in Japan?; 9 Learning with Images in the Digital Age; 10 Film Schools in the PRC: Professionalization and its Discontents; 11 Film Education in Hong Kong: New Challenges and Opportunities; Notes on Contributors; Bibliography; Index Description based upon print version of record.
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• 摘要註: Practice-based film education is a crucial element in the institutional landscape of film. This book fills the gap in understanding practice-based film scholarship, focusing on Europe, Asia, and Australia.
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