Imaging religion in film the politics of nostalgia / [electronic resource] :

• 作者： Hamner, M. Gail, 1963-
• 其他作者：
  • Palgrave Connect (Online service)
• 其他題名：
  • New approaches to religion and power
• 出版： New York : Palgrave Macmillan
• 版本：1st ed.
• 叢書名： New approaches to religion and power
• 主題： Religion in motion pictures. , Motion pictures--Religious aspects. , Motion pictures--Moral and ethical aspects. , Nostalgia in motion pictures. , ART / Film & Video , PERFORMING ARTS / Film & Video / Reference , Electronic books. , Electronic books.
• ISBN： 9781137013248 (electronic bk.) 、 1137013249 (electronic bk.) 、 0230339867 、 9780230339866
• FIND@SFXID: CGU
• 資料類型: 電子書
• 內容註: Includes bibliographical references and index. Introduction: Interpreting Religion and Film -- PART I: FILM STUDY -- Akira Kurosawa: 'What is a Thing?': Posing the Religious in Dersu Uzala (1975) -- Kiarostami: The Face of Modernity Alienation and Transcendence in Taste of Cherry (1997) -- Joel and Ethan Coen: Searching for a Way Out Alienation and Intimacy in The Man Who Wasn't There (2001) -- PART II: THEORETICAL REFLECTIONS -- Religious Realism. Akira Kurosawa: "what is a thing?': posing the religious in Dersu uzala (1975) -- Kiarostami: the face of modernity: alienation and transcendence in Taste of cherry (1997) -- Joel and Ethan Coen: searching for a way out: alienation and intimacy in The man who wasn't there (2001) -- Religious realism -- Concluding thoughts.
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• 摘要註: Imaging Religion in Film offers a new methodology for examining the ethico-political dimensions of religion and film, one that foregrounds film's social power both to shape subjectivity and to image contemporary social contradictions. Specifically, the text develops a Foucauldian ethics of the subject, or 'pedagogy of self,' a Deleuzian-Peircean semiotic for discussing religion in film, and a theory of religion within postmodernity that rethinks transcendence alongside a politically galvanizing nostalgia. This theoretical work prefaces analyses of three specific films: Kurosawa's Dersu Uzala (1972); Kiarostami's Taste of Cherry (1997); and the Coens' The Man Who Wasn't There (2001).
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