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A fractured landscape of modernity : culture and conflict in the Isle of Purbeck
- 作者: Wilkes, James, author.
- 其他題名:
- Language, discourse, society
- 出版: [Basingstoke] : Palgrave Macmillan
- 叢書名: Language, discourse, society
- 主題: Modernism (Literature)--England--Isle of Purbeck. , Natural history literature. , Nature in literature , Individual photographers--English--Dorset , LITERARY CRITICISM / European / English, Irish, Scottish, Welsh , Literary theory--English--Dorset , Literature , Modernism (Literature) , Natural history literature. , Nature in literature , Theory of art--English--Dorset , England--Isle of Purbeck. , Electronic books.
- ISBN: 113728708X (electronic bk.) 、 9781137287083 (electronic bk.)
- FIND@SFXID: CGU
- 資料類型: 電子書
- 內容註: Includes bibliographical references and index. Studland Beach -- The Hollow Land -- Seaside Surrealism -- Purbeck Underground.
- 摘要註: The recent rise of 'new nature writing' has renewed the question of how a landscape can be written. This book intervenes in this debate by proposing innovative methodologies for writing place that recognize and make use of the contradictions, fractures and coincidences found in a modern landscape. In doing so, it develops original readings of modernist artists and writers who were associated with the Isle of Purbeck in Dorset, including Vanessa Bell, Paul Nash, Eric Benfield and Mary Butts. Their work is set alongside embodied practices of leisure and labour such as sea bathing, beachcombing, quarrying, tourism and scientific fieldwork, as well as the material and geological features of the environment with which such activities are allied. By showing the Isle of Purbeck to be a site where versions of modernity were actively generated and contested, the book contributes to a reassessment of the significance of rural locations for English modernism.
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讀者標籤:
- 系統號: 005124640 | 機讀編目格式
館藏資訊
This book uses the contradictions, fractures and coincidences of a twentieth-century rural landscape to explore new methods of writing place beyond 'new nature writing'. In doing so it opens up new ways of reading modernist artists and writers such as Vanessa Bell, Mary Butts and Paul Nash.
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