Artaud and his doubles [electronic resource]

• 作者： Jannarone, Kimberly.
• 其他作者：
  • Project Muse.
• 其他題名：
  • Theater--theory/text/performance
• 出版： Ann Arbor, Mich. : University of Michigan Press
• 叢書名： Theater: theory/text/performance
• 主題： Artaud, Antonin, 1896-1948--Knowledge--Performing arts. , Artaud, Antonin, 1896-1948--Criticism and interpretation. , Cruelty in literature. , Drama--History and criticism--Theory, etc. , Experimental theater--France--History--20th century. , Electronic books.
• ISBN： 9780472027941 (electronic bk.) 、 9780472035151 (pbk.)
• FIND@SFXID: CGU
• 資料類型: 電子書
• 內容註: Includes bibliographical references (p. 233-241) and index. The fight against civilization; or, the rebirth of tragedy. Invocation of the plague : nouveau mal du siecle the residues of war "The future of the world" -- Reactionary modern : the controversions of the counter-enlightenment anywhere out of this world irrational affinities -- Audience, mass, crowd. The avant-garde and the audience : the crisis of bourgeois theater the avant-garde and the audience immersion agitation -- The theater of cruelty and conceptions of the audience -- Theaters for the masses : working on the masses mythical, total, real -- Crowds and cruelty : crowd feeling inthe theater of cruelty the nerve meter -- Visions of power. The artist of the theater : the rise ofthe director artistic power in the Jarry Theater the direction of menace -- Controlling forces : directing The Cenci concentrating control power by charisma -- Conclusion : longing for nothingness. Issued as part of UPCC book collections on Project MUSE.
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• 摘要註: This is an unlooked-for project. Like many others, I first saw Artaud through the filters of American experimental theater and post-structuralism. My earliest work on Artaud began from acceptedfamiliar premises, largely established in the 1960s: Artaud as prophet, madman, genius,was the thing to study; his significance lay in his status as an inspirational figure manifesting a largely ahistorical impulse; his denunciation of civilization's discontents implied a progressive critique. My research led me in different directions, however. Fueled by a desire to really read Artaud's works closely especially his early writing and hisproductions--I dug into the archives to research Artaud's theatrical practice.
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