CGU
館藏資訊
先锋小说阵容独领风骚的局面在80年代末90年代初似乎已“隐退”，继之崛起的是一群被命名为“晚生代”的更激进的小说家。所谓“晚生代”并不具有相对一致的文体风格与创作思想，它更类似一个概括一定时期创作者范围的词汇。毕飞宇被纳入其中，是其中创作潜力最为强大者之一。近几年，随着《哺乳期的女人》、《青衣》、《玉米》等作品的发表，毕飞宇小说日益为评论界所关注，但主要还是停留在具体作品的解读分析方面，对他早期的作品研究比较少，全面的整体研究也比较薄弱。(The situation that the vanguard novels took the lead seemed to have “resigned” in the late 80s and early 90s, and a group of more radical novelists named “younger generation” rose then. The so-called “younger generation” does not have relatively consistent style and creation thought, it is more like a term that sums up the scope of the creators in a certain period. Bi Feiyu is included among them; he is one of the people who have the most powerful creative potential. In recent years, with the publication of Woman at Feeding Period, Tsing Yi, Corn and other works, Bi Feiyu’s novels are increasingly concerned by the critics. However, the concern mainly focuses on the interpretation and analysis of specific works, the research on his early works is few and the comprehensive total research is also weak.)