Performing mountains

• 作者： Pitches, Jonathan, author.
• 其他作者：
  • SpringerLink (Online service)
• 其他題名：
  • Performing landscapes.
• 出版： London : Palgrave Macmillan UK :Imprint: Palgrave Macmillan
• 叢書名： Performing landscapes
• 主題： Theaters--Stage-setting and scenery. , Mountains in literature. , Landscapes in literature. , Acting. , Theatre and Performance Studies. , Landscape/Regional and Urban Planning. , Environmental Geography. , European Culture.
• ISBN： 9781137556011 (electronic bk.) 、 9781137556004 (paper)
• FIND@SFXID: CGU
• 資料類型: 電子書
• 內容註: 1. Handrail 1: Beginnings: Pavey Ark and Harrison Stickle (W#1 and 2/214) -- 2. Part 1: Mountain Studies meets Performance -- 3. Part 2: Mountains in Ritual, Drama and Site-related Performance -- 4. Handrail 2: Little Rituals: Bowfell (W#9/214) -- 5. Part 2.1: Mountain Rituals -- 6. Handrail 3: Narrative paths: The Fairfield Horseshoe (W#18-25/214) -- 7. Part 2.2: Mountain Drama -- 8. Handrail 4: Site, light and a dark memory put to rest: Barrow and Outerside (W#41-42/214) -- 9. Part 2.3: Mountain Site-related Performance -- 10. Handrail 5: Stepping up, training and a new urgency: Skiddaw and its neighbours (W#135-140/214) -- 11. Part 3.1: Mountains in Microcosm: The Artistry of Training in the Studio and on the Wall -- 12. Part 3.2: Skywalk scenography: stage-managing fear and delight in mountain -- 13. Part 3.3: From Mont Blanc to the Matterhorn: Deep and Dark Play in the Alps -- 14. General Conclusion -- 15. Handrail 6: Endings: Pillar (W#214)
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• 摘要註: Launching the landmark Performing Landscapes series, Performing Mountains brings together for the first time Mountain Studies and Performance Studies in order to examine an international selection of dramatic responses to mountain landscapes. Moving between different registers of writing, the book offers a critical assessment of how the cultural turn in landscape studies interacts with the practices of environmental theatre and performance. Conceived in three main parts, it begins by unpicking the layers of disciplinary complexity in both fields, before surveying the rich history and practice of rituals, playtexts and site specific works inspired by mountains. The last section moves to a unique analysis of mountains themselves using key concepts from performance: training, scenography, acting and spectatorship. Threaded throughout is a very personal tale of mountain research, offering a handrail or alternative guide through the book.
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