Sex, class, and the theatrical archive : erotic economies
- 作者： Sikes, Alan, author.
- 其他作者：
- 其他題名：
- Palgrave studies in theatre and performance history.
- 出版： Cham : Springer International Publishing :Imprint: Palgrave Macmillan
- 叢書名： Palgrave studies in theatre and performance history
- 主題： Sex role in the theater. , Theatre History. , Performing Arts. , Drama.
- ISBN： 9783030231163 (electronic bk.) 、 9783030231156 (paper)
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FIND@SFXID:
CGU
- 資料類型: 電子書
- 內容註: Chapter One: Introduction -- Chapter Two: The Sodomite in the Closet Drama: Pamphlets and Performance in the Era of the Glorious Revolution -- Chapter Three: Tribades and Amazons: Playacting Women of the French Revolution -- Chapter Four: Expressionist Brotherhoods: Homophilic Elitism and the Drama of the Weimar Era -- Chapter 5: Conclusion: Socialized Maternity and Other Utopian Notions.
- 摘要註: In Sex, Class and the Theatrical Archive: Erotic Economies, Alan Sikes explores the intersection of struggles over sex and class identities in politicized performances during key revolutionary moments in modern European history. The book includes discussions of sodomitical closet dramas from the decades surrounding the English Glorious Revolution of 1688; the performances of 'Tribades and Amazons', public women of the French Revolution; the 'homophilic elitism' in the early plays of Brecht and Hasenclever from the years just before and after the German Revolution that marked the founding of the short-lived Weimar Republic; and the utopian conception of a Soviet 'New Woman' set to take the stage after the Russian Revolution of 1917. Throughout, Sikes invokes the differences between past and present politicized performances in order to cast our own political imaginings into sharper and more critical relief.
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讀者標籤：
- 系統號： 005481553 | 機讀編目格式
館藏資訊
In Sex, Class and the Theatrical Archive: Erotic Economies, Alan Sikes explores the intersection of struggles over sex and class identities in politicized performances during key revolutionary moments in modern European history. The book includes discussions of sodomitical closet dramas from the decades surrounding the English Glorious Revolution of 1688; the performances of 'Tribades and Amazons', public women of the French Revolution; the 'homophilic elitism' in the early plays of Brecht and Hasenclever from the years just before and after the German Revolution that marked the founding of the short-lived Weimar Republic; and the utopian conception of a Soviet 'New Woman' set to take the stage after the Russian Revolution of 1917. Throughout, Sikes invokes the differences between past and present politicized performances in order to cast our own political imaginings into sharper and more critical relief.